We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorised as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
Performance cookies are used to understand and analyse the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Advertisement cookies are used to provide visitors with customised advertisements based on the pages you visited previously and to analyse the effectiveness of the ad campaigns.
The piece is presented as a study on the transformations of rhythm and their connections with instrumental gesture.
Different types of rhythmic elaboration are proposed (polyrhythms, polymetries, variations in speed) always associated with an almost choreographic gestural energy.
Contrasting textures, fragmented writing, dizzying projections, but above all constant transformations of timbre: the ballet of rhythmic gestures, arranged according to their physical amplitude, will produce a multitude of variations in sonic tension right up to implosion and erasure.
Audiences will be able to take part in the various rhythmic games on offer, using their connected mobile phones. They can chat and interact with the musicians via a network connection and a video screen. They will be able to ‘play’ and suggest directions to follow, instrument combinations or even live comments…
The various interactive actions will gradually produce a struggle with the ensemble for control of the musical flow. By the end of the piece, the audience will be reflecting on our daily digital lives and the new ways in which we listen to music.
Staff :
Creation :
Annelise Clément, clarinet
Joël Versavaud, saxophone
Lilas Réglat, double bass
Marine Rodallec, cello
Claudio Bettinelli, percussions
Sébastien Boin, conductor
In partnership with ZEF – Scène nationale de Marseille
